Brown Trinity Rep Performances

Jamestown Arts Center is thrilled to announce the continuation of our partnership with the Brown/Trinity Rep MFA Programs with the seventh annual presentation of two Shakespeare plays. The Brown/Trinity Rep M.F.A. Programs provide a three-year professional training program for eighteen students under the auspices of an Ivy League University and Rhode Island’s Tony Award-winning theater company. Brown University’s Department of Theatre, Speech and Dance is internationally recognized for the quality of its faculty and instruction. Trinity Rep, with its deep tradition of resident artists, provides powerful artistic assets and creates a firm foundation for a new generation of theater artists.

Saturday, November 17th
7:30 pm

Julius Caesar
directed by Josiah Davis

Advance Tickets:
General Admission $15  •  JAC Members Seniors & Students $10
Online Ticketing will turn off at 5:00 pm on Saturday, November 17th

Tickets purchased at the door are an additional $3 each
General Admission $18  •  JAC Members Seniors & Students $13

Josiah Davis is a Los Angeles based director and actor from Dallas, TX. A graduate from the UCLA School of Theater, Film, and Television and a current Brown/Trinity MFA Directing Candidate, Josiah also does work in video, sound, and lighting design. His recent production of Outcry by Thais Francis, a collision of Emmett Till, Trayvon Martin, Amadou Diallo addressing police brutality, was featured at the Creative Artist Agency in Los Angeles and On The Verge Repertory Theatre in Santa Barbara, where he is the Associate Artistic Director.(onthevergefest.org) Also seen here, his Broadway World nominated direction of Sweet Child by Roxie Perkins, From White Plains by Michael Perlman, and his role of Joseph in Darlene Craviotto’s Footprints at Laetoli. He has appeared on Transparent (Amazon), Glee (Fox), Idiotsitter, (Comedy Central), Killer Kids (Lifetime), and Buzzfeed. He also works in production at The Geffen Playhouse (assisting Rainn Wilson in Thom Pain by Will Eno, John Rando in Big Sky by Alexandra Gersten-Vassilaros, and Tyne Rafaeli in Actually by Anna Ziegler), the Walt Disney Concert Hall REDCAT Theatre, The Los Angeles Theatre Center, Steppenwolf West, and the Moments Playhouse. Up Next: Venus by Suzan-Lori Parks

Sunday, November 18th  
5:00 pm

bilingual production of
Comedy of Errors
Ahi no! Comedia de Equivocaciones 
directed by Tatyana-Maria 

Advance Tickets:
General Admission $15  •  JAC Members Seniors & Students $10
Online Ticketing will turn off at 3:00 pm on Sunday, November 18th

Tickets purchased at the door are an additional $3 each
General Admission $18  •  JAC Members Seniors & Students $13

COMEDY OF ERRORS Ahi No! COMEDIA DE EQUIVOCACIONES directed by Tatyana-Maria Carlo.
Tatyana-Maria Carlo is a theatre director from Miami, Fl. The former Associate Director of Seminole Theatre, a performing arts center in Homestead, Fl, which she helped re-open after a 40 year closure.  Prior to Seminole Theatre, she was the Artistic Director of Micro Theater, Miami, creating 15-minute plays in 20 X 8 shipping containers for audiences of 15 people. She integrated English-language plays, where previously all the plays had been done in Spanish. She was also instrumental in creating Micro Theater for Kids, which had never been done in the United States. Tatyana-Marie has directed several plays both locally and nationally, including Clybourne Park by Bruce Norris and, most recently, Real Women Have Curves by Josefina Lopez. She received her BFA in theater from the University of Florida (New World School of the Arts), in Miami, Fl. Currently she is a MFA Directing candidate at Brown University (Brown/Trinity), where she has directed Miku and the Gods byJulia Izumi and The Last Days of Judas Iscariot by. Stephen Adly Guirgis at Brown/Trinity.  Upcoming projects include: A Spanish/English version of The Tempest that Trinity Rep will tour throughout the State and Five Women Wearing the Same Dress by Alan Ball at Mainstreet Players in Miami Lakes, Fl.

Funding provided in part by a grant from the Rhode Island State Council on the Arts, through an appropriation by the
Rhode Island General Assembly, a grant from the National Endowment for the Arts and private funders.